DC New 52 Review: Justice League #3-4

I don't think I've written a scathing review yet. I've been more than fair to most of the titles I've reviewed. Well, I have to say, I've really given this book the benefit of the doubt so far and I think I have to lay it out there...


Justice League #3-4
Written by Geoff Johns
Pencils by Jim Lee
Inks by Scott Williams
Cover Price: $3.99 Each

In a nutshell:
Each issue another hero joins in on the action. "Hey, lets team up!", (insert some childish comment from green lantern here) Big Action, Big Action... Next issue, another hero joins in on the action... "Hey, lets team up!", (insert some childish comment from green lantern here)...

Synopsis:
By the end of the fourth issue you realize that there hasn't been a breath since first panel of the first issue, and that's not a good thing. The story started in issue one with Batman and Green Lantern in action and each issue another character has joined in on the action in an implausible way, and there is almost no story besides the action. The story that is there seems stuffed in in an unnatural way. In fact, nothing in this comic feels natural (Cyborg gets one of the most bizarrely rushed origins I ever read). Geoff Johns has written some of the best stories by DC Comics in the last decade. This is not one of them. I remember listening to Jeff Loeb being interviewed on WordBalloon once and he spoke of how he tailors his stories for his artist and I can't help but feel that that is what Johns is trying to do here because nothing here feels like a Geoff Johns story. The difference is that when Loeb did Hush with Jim Lee he actually had a story with all the bells and whistles. The dialog in this story seems like it's trying to be Brian Michael Bendis but reads more like Tiny Titans. The characters don't even seem to have the same personality that they do in the other books that Geoff Johns is writing that features them. Now come on, be honest, Johns didn't really write this, did he?

Why did I pick it up?
Because this is the series that has gotten the most media attention, I'm committed to seeing this story arc through.

The Good:
In the third issue we finally get Wonder Woman although she seems to have the bubbly naive personality Starfire had in the classic New Teen Titans stories. And the story really gives props to Aquaman who comes off as a major badass in this story. But the draw of the book is getting to see Jim Lee draw all the major icons, even if their appearance is some what less iconic because of the ridiculously out of date costume modifications by Jim Lee. And by issue four Lee's art finally is starting to look like what we expect from the superstar and I have to say Jim Lee can make even the lame look pretty spectacular.

The Bad:
I'm going to use this space on a little commentary about Cyborg's new look. In the 20th century we had this vision of what the 21st century would be like that was "big". The future was expected to be huge and metallic, and blasting off. But the reality is that the trend of the 21st century has been the opposite. Everything is becoming more subtle. Instead of bigger, it's been smaller. Instead of in your face graphic design, we get "classic". So if Cyborg was added to this team because he's the character that DC feels represents the 21st Century, why is his new design anything but? Don't get me wrong, Jim Lee does cool machines as well as anyone, but I don't think that's 21st Century. How about making Cyborg look a little more like an iPhone, sleek, classic, subtle, with a whole lot of surprises packed inside...

Is it worth it?
This book is a dollar more than the other DC titles and the extras aren't interesting at all. The appeal is the art and for some people that's enough. But it wasn't enough to keep Image Comics on top in the 90s and this is the weakest story I've ever seen Geoff Johns write. I'm still holding out a little hope that the story will really pull together, but this feels like an improve session that so far just goes on and on and on...

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DC New 52 Review: Action Comics #4

Action Comics #4
Written by Grant Morrison
Pencils by Rags Morales
Inks by Rick Byrant & Sean Parsons
Cover Price: $3.99

In a nutshell:
Braniac attacks using Metallo but we only get a snippet.

Synopsis:
The world is under attack when the machines of the world take life and start attacking people. The machines are being controlled by a being that calls itself "The Collector of Worlds" but it's pretty clear that this is the new DC Universe's version of Braniac, which, like Geoff John's and Gary Frank's version in the collected story Superman Braniac, has a Borg like quality a la Star Trek, which was a characteristic in the Superman Mythos since the Silver Age but really hasn't been capitalized in a modern way until this last decade. Lex Luthor helped bring this alien here however when he finds that the alien can't be bothered with him further he ends up acting very wormy (not unlike the way Gene Hackman portrayed him in Superman 2 with Zod). It's obvious that unlike past versions of Lex Luthor that has had this reverence for him as the ultimate Superman villain, Grant Morrison has little respect for him and sees him as a pathetic fool. Which isn't to suggest that I don't think that Morrison will make him a credible threat. But it's not this romantically evil character that we've seen before and I can't help but enjoy this take on this very real character in our society. Suddenly this world that just last issue was crapping all over Superman through it's 24 hour news cycle is suddenly asking itself where he is, and will he help us.

Why did I pick it up?
Grant Morrison has won me over. I used to think he was terribly overrated but this man has consistently proven to me that he can tell many kinds of amazing stories.

The Good:
You have to appreciate the irony here, suddenly everyone who was treating Superman as a threat is asking him for help. And again, I normally expect and appreciate Superman's modest and stoic quality that Christopher Reeves made such an example of, but you know, I think that when we see our world being eaten by the parasites who know how to work the system, not just the ones outside of it, it's hard not to see a man, who has so many powers and abilities and who refuses to challenge the system himself and who refuses to take any kind of stand for people in need if it might be considered political, as anything other than impotent which I think is exactly what Superman had become. Here, when the cops show up to arrest Superman at a moment of world crises, he's flippant. "Are you kidding? Slap on the bracelets boys. Otherwise stand back... and let me do my job!" He's not mocking them for being weak, he's mocking them for being so irrelevant to the real crises. And that's our problem in our real world so there is a payoff here!

The Bad:
It hasn't been that long since we got the Superman Braniac story by Geoff Johns and Gary Frank and so far this story hasn't really added anything to the Braniac Attacks motif. Making the Braniac character an insect of sorts is kind of creepy, which is cool, but it doesn't feel as creepy to me as the way Gary Frank portrayed Braniac and I think that when you rebook something you have to compare it to what it's immediately replacing. The back up story featuring John Henry Irons becoming Steel did nothing for me. It's not that it's poorly written or that the art is bad, I'm just not interested in the character of Steel. He's not who I buy the book for and having a story within a story just feels like a cheap way to squeeze something extra in that really wasn't needed. The art isn't a style that really turns me on. It just felt like filler and distracting filler because it takes place right in the middle of the story but it's by another writer and it just feels like a cheap way to introduce another character, and do we really need another introduction this early?

Is it worth it?
I feel like we haven't gotten enough movement in the main story for two months now and we're going to have to wait until issue 7 to move this story further since the next two issues are going to be an interlude, but it's the subtle presentation by Morrison of the character of Superman that makes this book worth following. I don't think the Steel extra justified the additional dollar that this book costs when compared to the other DC titles so hopefully DC is going to find their groove in justifying the extra dollar instead of just adding in filler.

DC New 52 Review: Action Comics #3

Action Comics #3
Written by Grant Morrison
Pencils by Rags Morales & Gene Ha
Inks by Rick Byrant & Gene Ha
Cover Price: $3.99

In a nutshell:
Superman has a bad day, Krypton rocks!

Synopsis:
This issue begins with a flashback sequence featuring Superman's birth-parents in his last days of Krypton. Gene Ha supplies the art for this sequence and while I normally don't like it when two artists with conflicting styles share a book, Ha is the perfect artist to present Krypton (which is why I've chosen to display the alternate cover featuring Ha's art) and the Krypton sequences are separated from the present day in a way that frames it well. In the present day Superman has found that the corrupt corporate interests that he's been up against own the media and has been turning public support against him. This hits him pretty hard and he takes it personally. Both the Krypton sequence and the present day sequence seem appear to be setting us up to introduce the new version of Braniac.

Why did I pick it up?
Action is the best book DC is putting out right now!




The Good:
Gene Ha's art is fantastic and is perfect for Krypton. You gotta hope that Morrison and Ha do a World of Krypton mini series after reading the prologue in this issue. Morales is continuing to do the great job he's been doing. Other fans have told me that they think his work has a Mark Bagely vibe going on and that's what I was feeling as well, except I think this is better than Bagely's art. This world feels real to me. Superman may have powers but he's living in our world with all the screwed up politics, corporate interests, and the really hostile media environment. I'm enjoying his relationship with Jimmy Olson, whose update feels perfect for this book, and I hope that that will be a staple in the book from this point forward.

The Bad:
The extras in this book featured the creative decisions behind the other Superman family books, none of which interest me as much as Action, and instead of feeling like cool extras like they did in the last issue when it focused on Action, it felt like all the other marketing crap that comics are filled with.

Is it worth it?
While the present day sequence didn't give us quite as much meat as I would have liked, it does seem to be setting us up for some cool excitement ahead and the Krypton sequence leaves me in anticipation for more! Action continues to be my must read book each month!

DC New 52 Review: Superman #1-2

Superman #1-2
Script & Breakdowns by George Perez
Finished Art by Jose Merino
Cover Price: $2.99 each

In a nutshell:
Perez packs more story and art on every page.

Synopsis:
Superman takes place five years after the events that are currently playing out in Action comics and I'm surprised just how well the books compliment each other. Clark Kent and his supporting cast again appear to be at a crossroads with many changes in flux. There are a series of attacks on Superman which appear to have some sort of relationship with Superman's home planet of Krypton. While it's not said outright, we get the idea that this is one of the first Krypton related threats that this Superman has faced.

Why did I pick it up?
I wasn't going to pick this issue up because I really really hate the costume (I haven't mentioned that or anything already, have I?), and even though I've always admired George Perez's work it's his art that's usually the draw and because he's only doing breakdowns and because I'm not familiar enough Jesus Merino's art and I've seen finishers not do Perez justice before so there just wasn't enough in the credit to draw me in. But when I paged through it in the comic shop I immediately recognized that this comic was the opposite of what is probably my biggest complaint with modern comics, that cinematic art shots leave too few panels per page to tell a satisfying story. George Perez's layouts prove that you don't have to sacrifice story for art.

The Good:
This is a very dense comic with lots of panels per page and while Merino's finishes are different from those of Perez, their styles compliment each other. It's an attractive book and it's also a book where I enjoy the characters. I'm personally glad to see Clark and Lois not married in this new continuity because it gives us the chance to create romantic tension in the book. it's refreshing to see a different take on the Lois Clark set up than what we've gotten in the past. Lois respect Clark and Clark's not just some square dork. He's not just a disguise for Superman, with this Clark Kent we actually see a reason for him to be a reporter. This is a character, whom like Superman, takes responsibility for the world he loves.

The Bad:
It's already been reported that Perez is leaving after the first story arc, and while I like Keith Giffen, the idea of a Dan Jurgens drawn Superman just doesn't feel fresh and exciting. It's hard to really enjoy a book that's just starting when you already know that creative shakeups are ahead. Oh, and the costume is terrible...

Is it worth it?
With more panels of story per page than anyone could ask for, without sacrificing the quality of the art, this might be one of the best buys for the dollar out there.

DC New 52 Review: Justice League #2

Justice League #2
Written by Geoff Johns
Pencils by Jim Lee
Inks by Scott Williams
Cover Price: $3.99


In a nutshell:
Still moving the story way too slowly!

Synopsis:
This chapter basically begins with a classic Marvel style misunderstanding where the heroes fight each other for no apparent reason, basically to show that Superman can take on everyone (I can't help but think that this display is really a setup to establish Wonder Woman's power in a future issue by having her be the only one who can match Superman). This story adds in the Flash to the mix whom apparently already has a close relationship with Green Lantern. Batman is the cool headed one here which is refreshing considering that he's often been portrayed as an arrogant jerk in a lot of modern comics. Green Lantern refers to Batman in the comic as "a tool", but really, it's Green Lantern who seems like a teenage fanboy internet troll and I can't help but feel that these guys talking not just like guys in their early 20s, but immature reality show rejects, just isn't that appealing to read about. The story ends with us getting a little bit more about pre-Cyborg Victor Stone in which we learn about his father's relationship with him and we get the setup for his origin.

Why did I pick it up?
Because this is the series that has gotten the most media attention, I'm committed to seeing this story arc through.

The Good:
By the end of the comic I'm actually interested in the Victor Stone storyline. I think there is nuance in his relationship with his father who obviously sees the big picture very clearly, but misses a lot of the personal stuff. I'm also glad to see a Batman that is level headed and not brooding.

The Bad:
Have I mentioned how much I hate Superman's costume design? The fight between the characters makes them seem like arrogant jerks and the catty dialog really isn't appealing. This is the second issue and we still don't have any setup for Wonder Woman, who not only is one of there big icons that DC has, but is also the only female member of the team and because this is the book that DC has been pushing as the face of their big relaunch, it seems like a really miss to not offer something for female readers to relate to. The story is moving way too slowly and the and there is so much action that the story feels like it doesn't have room to breathe. It feels like a setup to get the characters together and I just don't feel like we're getting natural introductions to these characters.

Is it worth it?
This issue is an improvement from the last issue, but I still can't recommend it in this format. I'm as of yet undecided and open to being surprised by this story, but I would recommend at this point to hold off and wait until the story is done and then get the book sized collection when that's released if the story seems to come together.

DC New 52 Review: Action Comics #2

Last month's Action Comics #1 was by far the brightest light of the new DC relaunch and extends possibility that the hope that the gamble that DC is making might pay off. So it's only natural that I would present a follow up review for Action Comics #2 which was released today.

Action Comics #2
Written by Grant Morrison
Pencils by Rags Morales
Inks by Rick Byrant
Cover Price: $3.99



In a nutshell:
Grant Morrison shows us the Superman we didn't know that we knew by bringing him back to his roots and by stripping away the static cling!

Synopsis:
Following the events of the last issue, Superman is being held prisoner by Lex Luthor and the military where is experimented on which includes being electrocuted in an electric chair, being exposed to toxic acids and poisons, and various attempts to poke him with needles. When he finally gets his bearings he breaks out with swagger and a cocky sense of humor. Meanwhile, Lois Lane, whose father is the head of this military unit, is doing her own sassy style investigation. We get little glimpses of what looks to be the coming of Morrison's versions of Metallo and Braniac.

Why did I pick it up?
Last month's Action Comics #1 was one of those comics I read over and over again. There as just a magic in it that connected with me and my only fear picking this up was that some of that magic might be misplaced if Morrison's ultimate vision didn't connect with me. What happened however, was the opposite. I'm even more enthusiastic than before about where Morrison is going.

The Good:
We got more of that same Superman we got last issue but even more so. Superman isn't worried about being the ultimate boyscout. Don't get me wrong, he's not the high school jock either or the internet nerd that has to buff out his chest on message boards to feel good about himself. No, he's the good guy, he knows he's the good guy, and he's not going to dance around it. Lex Luthor is a pathetic weasel and Superman can't even be bothered by him. He's having a good time being Superman and we're having a good time following him. What I really loved in the comic were the design sketches and the comments by Morrison and Morales at the end of the comic. It's the sort of extras that we usually see in the back of the over-sized hardcover Absolute Editions and it really felt that they were giving us something for that extra dollar that you pay for this title as opposed to the rest of DC's titles. Oh, and that cover... icon and amazing! It's obvious that Morrison loves Superman. This is a totally different Superman than what we got in his All Star Superman epic, and yet both versions are some of the best Superman stories every told!

The Bad:
Because the last issue had extra pages of story, Brent Anderson drew a few pages of this issue so that Rags Morales could catch up. Anderson is a good artist in his own right and his style doesn't clash that badly with Morales's style, but if there is a seam that would be it (but it's a really small one). My main complaint is that I have to wait another month for the next issue!

Is it worth it?
Not only is this comic worth the extra dollar it costs, this is one of those few stories that I will collect as it comes out then later buy the deluxe hardcover collection and keep both!

DC New 52 Review: Action Comics #1

This is my second review of the current DC Relaunch. I want to start by saying, I'm not against reboots. My feeling is that reboots allow you to move iconic characters forward without losing the ability to return them back to the qualities that make them icons without undoing the stories that evolved them. My only issue with this one is that DC got a partial reboot just a couple years ago with Infinite Crises and with the average story taking almost six months worth of issues, I don't really think that got as fleshed out as much as it could have. I'm also a huge fan of the Superman work but Geoff Johns and Gary Frank, especially Superman: Secret Origin which was just released collected form this year, and I think it's a shame to throw that out when it's still so fresh. But I'm going to judge each comic individually on their own merits.


Action Comics #1
Written by Grant Morrison
Pencils by Rags Morales
Inks by Rick Byrant
Cover Price: $3.99


In a nutshell:
Superman, hero for the little guy!

Synopsis:
Despite his icon status, perhaps because of it, Superman is one of the hardest characters to write and make captivating. Part of it is because Superman is up on a pedestal and I would argue that he belongs there and that it's very possible to tell good stories using the character by tapping into the readers core fears, hopes, and inspirations, especially in a cynical age where we could use it. Perhaps part of the struggle writers have in doing it is because Superman's become this household name and corporate representation to everything Americana, which makes it hard to distinguish him and to give him an opinion or have him take risks. Well, this Superman breaks the mold, or at least the mold that we've come to think of him as. In truth when Superman first started in 1938 he has a little more swagger. In fact in his very first story in the original Action Comics #1 he breaks into the Governor's mansion and breaks all kinds of laws to stop a wrongful execution and beats up a wife beater. He's going to make sure that right is done and he's not concerned about breaking some rules to do it (after all, he's Superman, who is going to stop him?). Grant Morrison's current take on Superman appears to go back to these roots and this story starts off with Superman taking on corrupt capitalists and not in the most delicate way. Grant Morrison is about as close to a rock star as there is in comics and even though you know he's a bit of a provocateur he's definitely an A List writer.


Why did I pick it up?
I love Superman but enjoy so few of his comics. Grant Morrison wrote All Star Superman which is one of my favorite comics of the last decade and even though everything I've heard about this series makes it sound completely different, this is the one book of the New 52 that appealed the most to me. Also, perhaps because I loathe Jim Lee's new costume design for Superman, the T-Shirt and jeans seems to work for me, which I wouldn't think it would.

The Good:
I was surprised how much I enjoyed this issue, definitely appreciating a Superman that has a progressive edge to him, especially as it seems there is more and more ingrained corruption in our society and the media and politicians have become so accepting of it. This Superman is a little radical in today's world and, from my perspective, that's not radical at all! This isn't my favorite take on Superman but this is a Superman I was to read and, so far at least, it's a Superman comic I want to follow. Art is important to me and Rags Morales has a style I can appreciate (lets put it this way, Superman's jeans actually look like jeans, not skin tight spandex with seams). This Superman is all new and yet looks classic. Superman isn't married to Lois Lane in this version which I know will upset some of the die hards the way it did with Spider-Man when his marriage was retconned, but it gives us a chance to get a little more romantic chemistry into the book and one of the good things about rebooting a series is that you can get to unload baggage without undoing it.

The Bad:
It's not Superman Secret Origin! No, seriously, for two decades John Byrne's Man of Steel set the ground work for Superman and when Geoff John's Secret Origin replaced it, it was such a good story, it's a damn shame that almost immediately it is undone, especially because I felt there was something magical about the Geoff Johns/Gary Frank Superman stories and I was hoping to see more added to them. That's less of a criticism of this story as it is praise for another story. The only concern I have about where this book is going is the glimpse we got of General Lane (Lois Lane's military father) and Lex Luthor who look like they're going to be the main antagonists of the book, and I'd really hate to see typical arch enemy/evil mastermind scheming pull away from the part of the story that I think is the more appealing. But we'll have to wait to see.

Is it worth it?
This and Justice League are the only books from the relaunch that I've noticed having a $4 cover price as opposed to the $3 price that most of the other books have (which in my opinion is already too much in the current economy especially because you can find most comics a year later on ebay for a fraction of the cost and with the collected editions becoming the more desired format). But, if $4 is something you're willing to spend on a comic book, this is the one to pick!

DC New 52 Review: Justice League #1

Since DC has relaunched their line this month with new #1 issues of their mainline titles as well as a (partial) restart to the history of their characters, I've been searching for reviews that could give me the scoop on the books I haven't been checking out. In doing so I found very few reviews of the ones that I have been checking out that have matched my own feelings on those books or the feedback from other fans at the comic shop I do work for. So I've decided to review the books that I had enough initial interest to pick up. This is the first of those reviews.


Justice League #1
Written by Geoff Johns
Pencils by Jim Lee
Inks by Scott Williams
Cover Price: $3.99


In a nutshell:
Where's the beef?

Synopsis:
My main problem with this comic is that I feel like I've read it already. I get that this book is supposed to appeal to new readers, but that doesn't mean there aren't new ways to introduce characters in comics and team them up so that the story will be fresh. The story structure is very similar to the first issue of All Star Batman and Robin and the changes seem to be for the sake of being more provocative but really, these ones are kind of tired cliches at this point, not just in comics but other popular media as well. The majority of the story is about Green Lantern meeting Batman, we get a glimpse of pre-origin Cyborg, and most of the characters in the comic aren't in it. We see that Batman is an outlaw, but we've seen that before so it's not really a shocking start and the dialog feels contrived. Besides the dialog, it's not that the story is bad, it's that it feels like half an episode and doesn't really give us an idea of what the Justice League is about and why we should care. Since the story starts with the captions explaining that it is five years in the past, perhaps what it could have used is a scene preceding what is now the opening scene that shows the entire team in an actions sequence in the present time so we get to see the characters on the cover that haven't made an appearance yet (which is almost all of them) and we get a sense that something actually happened in the comic.


Why did I pick it up?
Curiosity, primarily. The advance images with the costumes really put me off but Jim Lee and Geoff Johns are top talent. While I'm not a hard core DC fan, I do feel a connection with Superman, Batman, and Wonder Woman and the other "Super Friends" that I grew up with. So having really mixed expectations, I decided to take a risk on the chance that it might end up being an iconic story after all.

The Good:
This isn't Jim Lee's best art, but it's still Jim Lee with Scott WIlliams on inks (the under-appreciated member of that art team).

The Bad:
The costumes look dated, they seem to follow the trends of the 1990s with the only addition from the current trends in comics being a ridiculous amount of seams in patterns that don't make much sense. Superman has armor now for a costume and a ridiculous looking collar that reminds me of alternative versions of him we saw in 90s stories like Armageddon 2001 and the DC Year 1,000,000 Annuals. Of the DC trinity, only Batman has any story time, Superman doesn't show up until the last panel, and Wonder Woman isn't even in it which really doesn't give anything for the female reader who might be checking out the comic. The characters just seem in general to be snarky, confrontational, and pissy (kind of like fanboy posturing on internet message boards) which I don't find offensive but isn't interesting and has sort of become a cliche in modern comics. The cover is a week design, the character renderings on it and strange poses and angles are not examples of Lee's talent and the orange background cover and weak logo don't help. The characters that are supposed to be in a normal non-superhero setting looks like they're posed like superheroes and they are tensed up for battle, which might mean those kind of scenes are Lee's "Achilles Heal" as an artist (and perhaps one of the reasons Hush looked so awesome is because no other writer focuses on tailoring their stories to their artist like Jeff Loeb does). Geoff Johns has done so many amazing stories that were just home runs for me. Both him and Lee are A caliber talent. But they didn't bring their A game to this issue!


Is it worth it?
For $4 in today's economy, when most of the other books are selling at $3 with a story that feels incomplete, not at all! Which doesn't mean the complete story won't be good, but for a first chapter this really doesn't hook you. If the rest of the story arc delivers perhaps the trade would be worth it. But this single issue is not!

Understanding the Value of Comics

When I was a kid, eight years old, my parents got divorced. I wasn't raised to be particularly religious, but when that happened it was like God died. My parents both loved me but they weren't particularly in the best places in their lives and they fought each other... for me. I felt that I had to choose, that I had to protect them from each other, that I had to bring the light, to take care of them, so that they wouldn't give up. I would never want any child to bare that but I still don't believe it was the wrong thing for me.

The stress affected me. In the course of four years I developed two major diseases. In fourth grade my left knee and right middle finger swelled up to four times their sizes. The pain petrified my right hand and my left leg. I had developed a rare form of arthritis that only a handful of kids in the country had and there was no guarantee that I would walk again. Sometimes my leg would cramp up from the lack of movement and I'd use the hospital bed to raise and lower over my knees so that I could have some movement without extreme pain.

When I was in sixth grade I weighed just over fifty pounds. I was wasting away, always thirsty, starting to wet my bed again, and always very tired and sickly. I was diagnosed with Juvenile Diabetes, a disease that would require me to take multiple shots of insulin a day, monitor my blood and my diet, and require me to actively keep myself alive every day of my life. I cried when I was diagnosed. The tears didn't last long. But then I had to call my dad and tell him and when he answered the phone he was so upbeat and optimistic. It broke my heart to have to tell him that his little boy, his only child, had a disease that would never go away.

A few months before the first disease, my mom was washing her clothes at a laundromat so I had to go with her. There was a Stop-N-Go next to the laundromat and she bought me a comic book to keep me entertained. It was a reprint of one of the most famous issues of The Amazing Spider-Man and it ended with a cliffhanger ending. I had to get the next issue and I'd visit the Stop-N-Go again and again checking to see if the next chapter was out yet. And when I would find that the next issue still wasn't out yet I'd buy a different issue of Spider-Man (there were four monthly Spider-Man comics being published at that time including the reprint title). One of those comics also had a cliffhanger ending and by the time that next issue did come out, I was hooked. Spider-Man's alias, Peter Parker, was a kid like me, not bad looking, but not someone who girls were lining up for. He'd save the day, but it often cost him with his personal life. He was an orphan raised by his Aunt and he felt responsible for the death of his uncle. Still, he kept doing the right thing, even though it didn't always work out for him. And every now and then, it did.

I always liked heroes. I appreciate the bad boys, like Han Solo, who did the right thing in the end and whom all the girls swooned for and all the boys wanted to be. But I liked the "good boys" better. They were the ones that had to carry the weight while the bad boy was looking cool and doing what was convenient for himself. Luke Skywalker and Superman were my first fictional heroes. And then came Spider-Man whom, at the time when I needed what made him a little more complex, was tailor made for me. All of these characters gave me something to believe in. They helped me escape the blues of the real world. They kept my head high. They were my new Gods.

Being sick as a child might sound horrible but the truth was it was never so bad. My parents put their war with each other on hold. I got more attention from the rest of the world than I ever got before. My dad came by one day with a huge stack of comic books which was like winning the lottery for me. And I never sat there afraid of what was happening to me, I just dealt with it and focused on what it took to get better. Within a couple of months of being diagnosed with the arthritis I was walking on crutches. A few months after that I was back on my feet. For a few years after that I'd feel a little tingle in my joints when the weather changed. Now I barely remember having the disease. And within a week I adjusted to being a Diabetic. I kept super tight control, especially as a kid. I understood what the disease asked from me and I did what I had to, and the truth is, most of the time, I forget that not everyone is Diabetic. It's a major part of my life. But I don't think of it that way.

I don't believe in giving up. The world isn't a perfect place and it often lets us down. But the reason I believe in heroes and in great things is because I believe in me. I'm not saying I'm a hero, but when I can't find the ideals of heroism in the world around me, I can find them in myself and that way I know they are real. I'm not perfect but I believe in doing the right thing because it's the right thing to do. Life's not always simple, sometimes it's muddy and gray, and sometimes there is real tragedy that you can't find anything good in. And sometimes we forget to be our "better selves". But for someone like me, someone who doesn't believe in a particular God or has any idea what the cosmic answers are, there is still room for faith.

I wholeheartedly believe that comics can tell any kind of story. I appreciate how comic books have "grown". I appreciate that comics "aren't just for kids anymore" and how deconstructionism has made comics more "sophisticated". But there is still a place both inside that and outside that, for stories that are fantastic, that blast us off, and give us something to believe in. I'm an artist and a storyteller and I've decided it's time to get on with it. There are stories that I'm craving that no one is doing so I'm going to do them myself. And some of it will be relevant, and some of it will be indulgent, and some of it will be provocative, but what I really want to do is tell stories that allow for people, old or young, to believe in something.